Moog One 16

Moog One is the ultimate Moog synthesizer – a tri-timbral, polyphonic, analog dream-synth designed to inspire imagination, stimulate creativity, and unlock portals to vast new realms of sonic potential. The first polyphonic analog synthesizer sold under the Moog brand in more than three decades, Moog One is the culmination of years of research and has been developed to exceed principal expectations of a polyphonic Moog instrument.

• • SYNTHESIZER TYPE

    Polyphonic, Tri-timbral Analog Synthesizer

  • SOUND ENGINE

    Analog (Digital Effects can be bypassed to maintain analog signal path)

  • POLYPHONY

    8 or 16 voices

  • KEYBED

    61 Full-size keys with Velocity and Aftertouch (Fatar TP-8S)

  • CONTROLLERS

    Pitch Wheel, Modulation Wheel, X/Y Pad (with pressure-sensing and hold), Sustain Pedal input, EXP 1 pedal input, EXP 2 pedal input – all pedal functions are assignable

  • PANEL CONTROLS

    73 knobs and 144 buttons; LCD screen

• OSCILLATORS (X3)

  Selectable Sawtooth wave with variable reset time or Triangle wave with variable rise and fall times, variable-width Pulse wave, Octave (32', 16', 8', 4', 2'), Frequency (+/- 7 semitones), Beat Frequency (+/- 7Hz), Wave Angle (Triangle and Saw), Pulse Width, Mix (blends the selected Triangle or Saw wave with the Pulse wave), FM routing and amount, and Hard Sync

• CALL MODULATOR

  Selectable routing (1-2 or 2-3)

• DUAL SOURCE NOISE GENERATOR

  Selectable sources (Red+White, Red+Purple, and White+Purple) with Color Mix and dedicated ARS envelope

• MIXER

  Independent levels and filter routing for OSC 1, OSC 2, OSC 3, RING MOD, NOISE, and EXT in.

• FILTERS

  State-Variable Filter; Ladder Filter (Mixable, Parallel or Series operation)

• STATE VARIABLES

  Two 12dB per octave filters operating as one filter, configurable in NOTCH, BP, LP, and HP – with 12dB or 24dB slopes; Cutoff, Resonance, etc.

• LADDER FILTER

  Moog Ladder Filter with HP or LP options, and selectable filter slopes (6db, 12db, 18dB, or 24dB); Cutoff, Resonance, etc.

• ENVELOPES (X3)

  Delay, Attack, Hold, Decay, Sustain, and Release; variable curves per stage, plus multi-triggering, looping, latching, and sync

• LFOS (X4)

  Dual-waveform categories with variable shapes (Triangle to Sine, variable-width Pulse, Saw to Ramp, S&H to Noise), assignable and variable transitions; fade-in/fade-out times, repeat count, phase start, etc.

• glide

  Selectable glide type (LCR, LCT, EXP), gated glide, legato glide, glissando

• ARPEGGIATOR

  Per SYNTH with octave range, pattern, direction, pendulum features, gate time, sync, etc.

• SEQUENCER

  64-Step per-SYNTH sequencer with step-editing and modulation capabilities

• SYNTH EFFECTS

  Dedicated in-line effect for SYNTH 1, SYNTH 2, and SYNTH 3 (When disengaged, the signal path is 100% analog)

• MASTER EFFECTS

  Dual mono sends with stereo return, or single stereo send with stereo return. (Accessible by all three SYNTHS – Eventide® Reverbs are available on the Master Bus only)

• BROWSER

  Stores tens of thousands of PRESETS and TIMBRES with definable Categories, Tags and Labels to aid search results. TIMBRES can be loaded to and played by any SYNTH

• PERFORMANCE SETS

  Create, save, and manage up to 128 Performance Sets offering single-button access to up to 64 PRESETS

• SETTINGS

  Access to pages for managing Libraries, Tuning features, plus Utilities such as updates, configuring ins and outs, etc.

• AGAINST THE MATRIX

  Provides the ability to map modulation sources to destinations at will, using either controllers or addressable transforms to articulate the modulation signal

• VOICE ALLOCATION

  Mono or Poly voice count per SYNTH, unison/mono detune (48 oscillator max.), Chord Memory, plus voice stealing/sharing options

• SNAPSHOT, COMPARE

  Built-in tools for saving and comparing during programming

• VCA SECTION

  VCA level per SYNTH, Pan per SYNTH

• OUTPUT SECTION

  Master Volume and Headphones volume controls

• AUDIO OUTPUTS

  Main L, Main R (1/4″ TRS; TS compatible)

• SUB OUTPUTS

  Sub 1, Sub 2 (1/4″ TRS; TS compatible)

• AUDIO INSERTS

  Insert 1, Insert 2, Insert 3, Insert 4 (1/4″ TRS Send / Returns- Can be used as mono outs)

• EXTERNAL MIC/LINE INPUT

  XLR + 1/4″ TRS combo jack with trim knob

• EXTERNAL LINE INPUT

  1/4″ TRS (TS compatible)

• HEADPHONES

  2x Stereo 1/4″ jacks (located on the front edge of the Left Hand Controller)

• CONTROL VOLTAGE INPUTS

  CV IN 1, CV IN 2 (1/4″ TS)

• CONTROL VOLTAGE OUTPUTS

  CV OUT 1, CV OUT 2, CV OUT 3, CV OUT 4 (1/4″ TS)

• PEDAL INPUTS

  Sustain, EXP 1, EXP 2, (1/4″ TRS; configurable through the Modulation Matrix, or as CV Inputs.)

• WEIGHT

  45 lbs. / 20.4 kg (approximate)

• DIMENSIONS (WXDXH)

  42 x 20 x 7 (inches); 107 x 51 x 18 (cm)